10 things to call your release instead of an ‘EP’

This might not go for everyone, but as a listener, when new artists release an ‘EP’, I usually listen to them, enjoy them, but overall treat them as a stepping stone or a set of demos. I am never eager to return to an EP, even if I most enjoyed it. But this shouldn’t be true in 2025 where short bursts of entertainment are devoured and immensely preferred to long-form things you’ll have to sit down for. In addition, EPs can be wonderful listening experiences and often find creative ways to take you on a journey; their shortened format often means things can be more concise.

However, when an artist says something is ‘off their new EP’, there is an implication that the listener isn’t missing out on anything, as opposed to when they announce ‘This is from our new album.’ Because an album is grand! You’ll be left thinking, ‘How did I miss this? Better get listening!’

So here are things you should call your EPs instead. And if enough people adopt them, we will force streaming services to have a dedicated section for them.

1. Drop

Have you listened to Drake’s new drop?

This is already a term that is used widely for releases. It is often used as a colloquial form of release, usually for when an album or single is ‘dropping’. But calling an entire EP a drop is perfect, as it doesn’t reference anything about its size or carry any connotations of being makeshift, rustic or unfinished. A drop feels anticipated, professional and polished no matter how many tracks.

The only problems you may run into here is if an artist has a large back-catalogue. Maybe referencing a ‘drop’ from May 2012 would confuse people?

2. Bundle

This one is definitely weaker, as it usually refers to merch bundles in music discourse, but who knows? I think an artist saying ‘New bundle releasing next week!’ it could gain quite a lot of attention if it was adopted enough.

3. Set

I discovered this one because of how Soundcloud creates its URLs:

soundcloud.com/tellyeaters/sets/remote

And what a great idea! Ultimately, an EP is just a ‘set’ of tracks, and it adds a nice collectible element to the music. The only problem with this is that it could quite easily be confused with live sets. And live sets aren’t really that interesting to listen to unless they are really special to you (i.e you attended the concert or wish you could have).

Alas, if you add another word to it such as ‘dance set’, ‘groove set’, ‘set of bangers’, then Soundcloud’s early adoption of this term makes everything look really promising!

4. (Insert letter) P

EPs and LPs are ancient formats that we are still, for some reason, obeying. They used to be useful, but now they have settled back down and only really communicate however valuable an artist wants to make it seem. So let’s start with AP (awesome play, credit to Jack Wild), FP (Fun play), LCP (Life-changing play), DP (Dance play).

There are a lot of realistic problems with this one. They will initially be hard to understand and also can clash with existing acronyms.

5. Spurt

We are releasing a spurt on January 13th

I think we are reaching surreal territory now. But hear me out, an artist releasing a ‘spurt’ could easily convey a monumental stage in the artist’s growth! Growth spurt!

6. Plethora

Plethora is a really exciting word. Try saying it yourself. Plethora. Plethora. The only trouble is that it doesn’t really mean a collection of something, it means a range. So on a technical level, it doesn’t really translate. Nice word, though.

7. Roll

I think we are running out of good ones, but truthfully, any word will do.

8. Feature

I like the idea of releases being called feature because, like ‘drop’, it feels scalable. If your new ‘feature’ was just one song, no one would bat an eyelid. And if your new ‘feature’ was a 20 track ambient album, that would be great too. It depends on whether we are trying to replace ‘EP’ or create a new universal word for release (which ‘release’ already does the job for to be honest, and this wasn’t supposed to just be a page of synonyms).

9. Make up your own word

Fabricate your own word completely for phonological effect. The same was done for the word ‘blurb’. Make yourself/your band have its own way of categorising releases. For example, if most streaming platforms sort artist pages like this:

Albums:

Singles & EPs:

Then fuck them off and sort your music your own way. Example:

Behemoths:

One-offs:

Bling-blangs:

Or how about:

Free-play:

Campaign:

DLC:

Who cares? Why go with an extinct format of sorting your music for the sake of the tradition? Digital music is the most recent form of music, yet it is only being used to mirror the culture of vinyl, which now serves no utility or purpose unless you like paying £40 for an inconvenient bit of plastic. (I love and collect vinyl by the way)

10. Mini album

All of the other ideas are great, but this is the sweet spot. By calling something a mini album, you are making it both appealing by being something small and digestive, and polished with high production-value. So please, release your mini album today, or drop, or set, and rethink everything anyone has ever told you about music. Peace out.

Why I like every Talon of the Hawk song in 2025 (PART TWO)

You know what I think’s really sad?
I know how really sad you are.
I’m probably gonna leave real soon,
Just wanted to let you know before I say Au Revoir.

1. Au Revoir

This is a continuation from my last post, where I covered each song off The Front Bottoms’s self-titled album. For the opening track of Talon of the Hawk, this is easy.

Au revoir. Au revoir. You probably don’t even know that means.

My interpretation of this track (if it even needs interpreting) is that two people are going through an argument and realise how silly it is before they walk away. The simple lyrics are hilarious and even though they break into a chorus singing “Rock and roll”, the track is still taken very seriously by me.

2. Skeleton

A mix of absolute foot-stomping with vulnerable sorrow, is what makes up most of The Front Bottoms to be fair, but certainly is what powers this song. The riff is juicy and catchy: very hard not to adore. While most of the lyrics are genius, I particularly enjoy the rampage of ranting that follows the second verse

Cause I’m so fucked. But in a good way. I start to cough (literally coughs) taste the butane…

And I can tell that he’s asking her yes or no questions from the way she’s shaking her head from left to right and then UP and down and then left to right again…

It is a song that very openly about getting stoned, but also still beautifully whimsical and creative in how that is depicted; Brian’s ranty singing almost perfectly conveys his hazy thought process throughout his night. Genius.

3. I swear to god the devil made me do it

This is the song. The song that I had to endure my frustrations and eventually become mature enough to realise how good it is. I always get a bit tearful listening to the simple guitar riff over the chorus.

4. Twin Sized Mattress

SHE HOPES I’M CURSED FOREVER TO SLEEP ON A
TWIN SIZED MATTRESS IN SOMEBODY’S ATTIC OR BASEMENT MY WHOLE LIFE

Wow. This song is truly a work of art, but my main reason for liking this song is actually because I think it sounds like it could be from adventure time. Something about the way Brian sings “Wiry broke-down frames of my friend’s bodies” just seems so much like a song an adventure time character would sing, I don’t know.

5. Peach

May have used to skip this one, but can’t justify it anymore. Every verse is written beautifully, but if I had to highlight one:

You were my light, no need to hide.
You were my clock, keep me on time.
You were my angel, you were my crime.
I’ll serve the sentence the rest of my life.

6. Santa Monica

Jolly passing-of-time fluff. A beautiful track full of pleasures, but my pet-love about this track is the way Brian sings:

Loving who I am ’cause what we are.

Something about the way he shakes halfway through the ‘are’ is just so sweet to me.

7. The Feud

A fast-paced song to kick off the second half of the album, perhaps with parallels to ‘Be Nice to me’ from their later Rose EP. I think their songwriting had improved so much since their first album that there really aren’t many synths about here; the songs and their shape are enough.

He… is the sound you want now

And I… am just a noise you don’t

The comparison between ‘sound’ and ‘noise’ here is really clever in my opinion, because it’s a subtlety that is often unnoticed.

8. Funny you should ask

Other than the absolutely popping drums and tracking to this stomper, this song paints a very detailed picture (as long as you don’t watch the music video of them just holding animals) of a real lifetime bitterness built up here that is so reachable.

Come on Chelsea, speak a little French to me,
heard you spend two whole semesters drinking wine.
While I was stuck in Jersey trying to save some money…

9. Tattooed Tears

You had me go from what I thought was sliding carefully to seriously slipping out of control.

We’re getting to the part of the album where instead of laughing or crying, the hairs on my spine are simply standing. The above lyric isn’t only what cuts it, the rhythmic gallop through this simple space is so carefully crafted, and then suddenly ripped through with the most simple plea:

I’m gonna have to learn that this love will never be convenient.

10. Lone star

A really tangible piece of realism here. I love when singers use their own names in the lyrics too. Goes really hard for a song about… an abortion?

437 dollars spent to put things back to where they used to be.

I guess the entire song isn’t completely about just an abortion. Still, it doesn’t beat Arizona by Wunderhorse, which is probably the most deep-cutting song about an abortion you’ve ever heard.

11. Backflip

I’LL MOVE TO FLORIDA

I don’t think those words have ever been more moving in a song. If you find a song where “I’ll move to Florida” is as emotionally compelling, you deserve some brownie points. Somehow, despite the indie/footballish yelling behind lots of the track, it doesn’t fail to appetize.

I also love the simple mono guitar segments. Which just a single string describing where we are. Does that make sense?

12. Everything I own

And finally, a banging closer for what is more than a banging album. Talking of everything I own, I am pleased to brag that I own a copy of this rascal on vinyl disk thanks to my lovely girlfriend Nancy.

Why I like each Front Bottoms song in 2025 (PART ONE)

I first heard The Front Bottoms in 2021. They were adjacent to the facade of post-COVID indie music somehow, likely algorithmically, despite dating back to 2011.

I fucking hated them.

How could people listen to this? Shitty four chord country riffs with the most annihilating voice whining over it. I tried to enjoy it, but I seriously couldn’t. I was 14, loved Dream SMP and so Lovejoy were my jam.

It’s 2025, Lovejoy have derailed into darkness, I’m in a band that has covered 2 TFB songs and they’re my favourite band of all time.

1. Flashlight

She said most the people we graduated with are now homeless which leaves them in mad shady situations with mad shady people, if not everyday, then on an every other day basis.

This was not my first song to start bumping, but first on the list as it is first on the debut. As an initial Talon of the Hawk fan, it took a lot of playing the self-titled to start really getting it. The guitar line is so chilling, melancholy and topped with a lyric stream that brands itself as one big SIGH.

2. Maps

There is a map in my room on the wall of my room and I got big, big plans

My favourite feature of this song is the string lines and the bouncy drums, on top as well as the foreboding chorus.

3. Looking like you just woke up

To be perfectly honest, I don’t LOVE this one. It makes me feel strange and I’m not sure why. However, I don’t skip any of these songs, and I do really like the mad flanged drums before the chorus kicks in. (Those with trained ears will hear a similar element before the chorus of Previous Business)

4. Mountain

I bought fireworks, a big bag in Pennsylvania. I’m gonna light em up when I get home to Jersey.

This one feels like a big road trip. Even though the song begins slow and deflating, the chorus never fails to give me chills.

5. Rhode Island

I wonder how that bike trip’s going. I wonder if the government knows he’s hiding

Another kind of filler song for me, that somehow I still cherish. I like how the chorus melody is a homage to The Beers.

6. The Beers

mee-moo-mee-moo-mee-moo-mee-moo

THERE’S BEER. IN COFFEE MUGS

Oh man, what the fuck else can I say about this song. It’s the best on the album. How can a honky tonky plod of a riff be this self-deprecating? Even before Brian starts singing I freeze in my tracks.

7. Father

I have this dream where I am hitting my dad with a baseball bat and he is screaming and crying for help.

And maybe halfway through it has more to do with me killing him then it ever did protecting myself.

This one has me concerned: the first few lines are very clear and obvious, but then it glides into such a cryptic flow:

Cause you were highschool, but I was just more like real life

Yeah you were ok, ok as a girlfriend, girlfriend

But I was just more like his wife.

What the hell is he saying here? That his mum is more of a girlfriend to his dad and himself is more of a wife? Anyway, a song that makes me ask questions is still a song to be liked.

8. Swimming pool

There’s comfort at the bottom of a swimming pool

Shit… I love this song. It has such a journey of verses filled with hope.

9. The Boredom is the Reason I Started Swimming. It’s Also the Reason I Started Sinking

Again, a strange but rewarding song. Any TFB song with a xylophone and shouting choir is one to be adored, but this one is most enjoyed with the synth line that follows

You’re part of a program.

10. Bathtub

After 9 tracks of The Front Bottoms, I think all I can appreciate about this one is the cleverly placed words. Not even clever in an artsy way, just generally good lyrics, balanced conversationally and melodically.

I am washing my hair with soap. I am sitting down in the shower.

It is this dirty type of clean that leaves me trapped in here for hours.

11. Legit tattoo gun

My excuse for liking this song is not actually in Brian’s singing or lyricism, but the sheer power of the epic synthesisers. They match the song so well and are with you every step of the way. Every album deserves a synth epic, and this is the synth epic of the album. My favourite lyric however:

…and we were getting ha-ha-ha-ha-ha-ha…. high….

12. Hooped earrings

Like most TFB songs (backed up by my 3 year disliking of them), they take some getting used to. This one is clearly uncomfortable (excuse the reference) due to skits and segments of sobbing, but overall the energy perfectly wraps up the album. I soon realised that it’s also about following a friend coming out to their mum, cutting their hair and all of the anguish in between.

Once you really dive into The Front Bottoms and develop some level of emotional maturity, it’s hard to hate them. They speak for all the angst across the land.

I will cover Talon of the Hawk in my next post, goodbye for now!