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City eaters [tellyeaters newsletter #4]

It’s no secret that tellyeaters have already had a taste of what the rest of Britain has to offer. Earlier this summer, we had an expedition down to Peterborough and had a crack at playing East Angrier XI. It was great fun! But like Sheffield, Peterborough is a lonely town in the middle of nowhere.

Manchester and Leeds? That’s more like it.

Hence this grand breeze block of a poster above. You’re probably thinking: Wait a minute ’cause… where did all these gigs come from?

MANCHESTER with Jack’s Saving Grace, Morning Star and Nick Shane

You heard it right. We’re playing a killer show in the very same city that birthed Oasis and New Order. Jack’s Saving Grace look like they know how to show us a good time, so let’s all storm it. It’s gonna be a great gig in one of the greatest cities of music:

All the pictures of Manchester are so beautiful. As someone who has never been before, I really cannot wait. Grab your tickets here!

And just look how colourful it is compared to Sheffield!

SHEFFIELD with Imaginary Husband and Muraki

When you look at Sheffield as a musical landscape without rose-tinted glasses, it’s pretty barren. The Leadmill has closed, which USED to be where touring acts stopped (although that has been pretty slow business for the last two decades), Dorothy Pax and other grassroots are long perished and everyone about everywhere is struggling.

Sidney and Matilda are a centre of joy with their flexible spaces in a central spot of town, neighbouring The Rutland arms which is the most artsy drink you’ve ever had. Now we’ve played there twice, we think it’s about time we play there again – and this time we’re bringing a fresh batch of talent with us. And that is what we like to do!

I’ve been going there since I was 15 during the age of Blusher, and have since witnessed Voodoo Bandits, Speed for Lovers, Minds Idle, The Utopia Strong and many others perform.

Even if Sheffield Music is dying on a commercial scale, without Sidney & Matilda we would be nothing, in no pockets of art or joy.

Anyway, let’s go through the lineup:

Muraki

Muraki are great tinkerers in the universe of post-punk. As well as looking really cool, they are to paint an atmospheric image this coming night. Alas, we’ve been given an exclusive statement from Jack Wild (Singer/Front Man):

We are Muraki, a fiery young outfit at the very first steps of our journey. With members residing all across Sheffield and Leeds, you can expect to hear music you can listen to whilst crying, kissing, fishing or taking over the world. Be the first to see us, at Sidney & Matilda on December 16th.

I can vouch for Oscar Kamperin-Flint (Guitarist and Producer) as I’ve worked with him on a number of projects (See: The Chase by Swedish Dad).

I’ve known Will Cressey (Bass) since we were four and he’s always had a bass in his hand, Chris Elliot (Guitar) is a vicious player and Jacob Wootton (Drums) is new to the drums, but already absolutely bellowing.

Give them a follow.

Imaginary Husband

This a perfect day to bring up Imaginary Husband, because they just released a dual-single.

Click that beautiful cover art to listen now!

Otto says:

I fucking love these imaginary husband singles, I can’t believe we’re playing with them soon at our big headliner! It’s the little things is bloody vicious, the lyrics are wicked, and I personally (obviously) ❤️ the drumming. Pang! is equally enjoyable, aggressive and loud, can’t wait to see it and experience them both live! Go listen it’s ridiculous!

I can also tell you that Imaginary Husband project visuals onto their faces during shows. Whether or not Sidney & Matilda can facilitate that I’m not sure, but even then, most bands are too afraid to fiddle around with projectors. Thumbs up for that.

Last but not least, tellyeaters

Ah for fuck sake, we’re running out of press images we haven’t used.

All we can say is, as our third headline show, we can only promise it will be the best so far.

Photo credits: Vanessa Gueorguieva

Leeds?

I said at the beginning that we have shows in Manchester and Leeds. Well, we do. I’m just not allowed to tell you about the one in Leeds yet. Naylor, Jackson and Otto are currently living it up in Leeds however:

Leeds, we will be with you soon x.

Remote: what is it? Is it just demos? Why would I care about that?

My answer: It’s an emo-folk album.

An expansion of my answer: It’s emo-folk album that we may never play live, and that’s ok.

Because when ‘demos’ are something that demonstrate what something could sound like, a six track EP full of mandolin and acoustic guitar would work as terrible demos. They are all our songs, except Waiting by Nancy Mitchell who kindly agreed to let us record it, and the last minute track Pasta Time is one we will probably never play, but I couldn’t help want to include it.

What started as demos quickly became something nice on its own and hard to remove yourself from. I don’t want anyone to listen and be mislead, I want people to listen and decide for themselves what they think about it.

And even though it doesn’t include all four pieces of the traditional tellyeaters band, we all made this EP and it wouldn’t exist without us.

Listen on Bandcamp now.

Those are the headlines.

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Why I like every Talon of the Hawk song in 2025 (PART TWO)

You know what I think’s really sad?
I know how really sad you are.
I’m probably gonna leave real soon,
Just wanted to let you know before I say Au Revoir.

1. Au Revoir

This is a continuation from my last post, where I covered each song off The Front Bottoms’s self-titled album. For the opening track of Talon of the Hawk, this is easy.

Au revoir. Au revoir. You probably don’t even know that means.

My interpretation of this track (if it even needs interpreting) is that two people are going through an argument and realise how silly it is before they walk away. The simple lyrics are hilarious and even though they break into a chorus singing “Rock and roll”, the track is still taken very seriously by me.

2. Skeleton

A mix of absolute foot-stomping with vulnerable sorrow, is what makes up most of The Front Bottoms to be fair, but certainly is what powers this song. The riff is juicy and catchy: very hard not to adore. While most of the lyrics are genius, I particularly enjoy the rampage of ranting that follows the second verse

Cause I’m so fucked. But in a good way. I start to cough (literally coughs) taste the butane…

And I can tell that he’s asking her yes or no questions from the way she’s shaking her head from left to right and then UP and down and then left to right again…

It is a song that very openly about getting stoned, but also still beautifully whimsical and creative in how that is depicted; Brian’s ranty singing almost perfectly conveys his hazy thought process throughout his night. Genius.

3. I swear to god the devil made me do it

This is the song. The song that I had to endure my frustrations and eventually become mature enough to realise how good it is. I always get a bit tearful listening to the simple guitar riff over the chorus.

4. Twin Sized Mattress

SHE HOPES I’M CURSED FOREVER TO SLEEP ON A
TWIN SIZED MATTRESS IN SOMEBODY’S ATTIC OR BASEMENT MY WHOLE LIFE

Wow. This song is truly a work of art, but my main reason for liking this song is actually because I think it sounds like it could be from adventure time. Something about the way Brian sings “Wiry broke-down frames of my friend’s bodies” just seems so much like a song an adventure time character would sing, I don’t know.

5. Peach

May have used to skip this one, but can’t justify it anymore. Every verse is written beautifully, but if I had to highlight one:

You were my light, no need to hide.
You were my clock, keep me on time.
You were my angel, you were my crime.
I’ll serve the sentence the rest of my life.

6. Santa Monica

Jolly passing-of-time fluff. A beautiful track full of pleasures, but my pet-love about this track is the way Brian sings:

Loving who I am ’cause what we are.

Something about the way he shakes halfway through the ‘are’ is just so sweet to me.

7. The Feud

A fast-paced song to kick off the second half of the album, perhaps with parallels to ‘Be Nice to me’ from their later Rose EP. I think their songwriting had improved so much since their first album that there really aren’t many synths about here; the songs and their shape are enough.

He… is the sound you want now

And I… am just a noise you don’t

The comparison between ‘sound’ and ‘noise’ here is really clever in my opinion, because it’s a subtlety that is often unnoticed.

8. Funny you should ask

Other than the absolutely popping drums and tracking to this stomper, this song paints a very detailed picture (as long as you don’t watch the music video of them just holding animals) of a real lifetime bitterness built up here that is so reachable.

Come on Chelsea, speak a little French to me,
heard you spend two whole semesters drinking wine.
While I was stuck in Jersey trying to save some money…

9. Tattooed Tears

You had me go from what I thought was sliding carefully to seriously slipping out of control.

We’re getting to the part of the album where instead of laughing or crying, the hairs on my spine are simply standing. The above lyric isn’t only what cuts it, the rhythmic gallop through this simple space is so carefully crafted, and then suddenly ripped through with the most simple plea:

I’m gonna have to learn that this love will never be convenient.

10. Lone star

A really tangible piece of realism here. I love when singers use their own names in the lyrics too. Goes really hard for a song about… an abortion?

437 dollars spent to put things back to where they used to be.

I guess the entire song isn’t completely about just an abortion. Still, it doesn’t beat Arizona by Wunderhorse, which is probably the most deep-cutting song about an abortion you’ve ever heard.

11. Backflip

I’LL MOVE TO FLORIDA

I don’t think those words have ever been more moving in a song. If you find a song where “I’ll move to Florida” is as emotionally compelling, you deserve some brownie points. Somehow, despite the indie/footballish yelling behind lots of the track, it doesn’t fail to appetize.

I also love the simple mono guitar segments. Which just a single string describing where we are. Does that make sense?

12. Everything I own

And finally, a banging closer for what is more than a banging album. Talking of everything I own, I am pleased to brag that I own a copy of this rascal on vinyl disk thanks to my lovely girlfriend Nancy.

The Top 5s Of Mλ Top 5s

Picking my top 5 songs in no particular order from (kind of) my top 5 artists in no particular order, plus some extra crackers which I just have to through into the mix.

Pavement

Pavement – the band who are constantly top streamed despite me thinking I stream others more… Weird. I’ve only seen them live once, at Bluedot festival in a torrential downpour, but it was enough. Truly a genius live band in my opinion with extra inserts to there songs not included in the studio versions that all fit perfectly and feel well crafted but almost improv like.

Enough about that though, onto the List!

1.) Range Life – Crooked Rain, Crooked Rain

2.) Here – Slanted & Enchanted

3.) Father to a Sister of Thought – Wowee Zowee

4.) Carrot Rope – Terror Twilight

5.) Fin – Brighten the Corners

Elliott Smith

Like everything on the list making a list of the 5 favourites is hard, because I just adore them all, and that is especially the case with Elliott Smith. I LOVE HIM

here we are…I think

1.) Everything Reminds Me Of Her – Figure 8

2.) Clementine – Elliott Smith

3.) Alphabet Town – Elliott Smith

4.) Between The Bars – Either/Or

5.) Roman Candle – Roman Candle

So many more I want to put on – just listen to it all

The Wedding Present

A household classic, I’ve been to see the Weddos the most out of any band – a running total of 5 different times – including a Musical Adaptation of their songs plotted in a story following a group of friends and their lives. Great Stuff.

1.) Nobody’s Twisting Your Arm – George Best Plus

2.) Brassneck – Bizarro

3.) Dare – Seamonsters

4.) Take Me – Bizarro

5.) My Favourite Dress – George Best Plus

Modern Baseball

After much consideration of putting Modern Baseball or The Front Bottoms, I have to take Modern Baseball on this list as they truly have a special place in my heart (as do The Front Bottoms) and I love all their music (as I do The Front Bottoms)….. hmmmmmmm

1.) Rock Bottom – You’re Gonna Miss It All

2.) The Weekend – Sports

3.) Apartment – You’re Gonna Miss It All

4.) It’s Cold Out Here – Couples Therapy

5.) Re-Do – Sports

Shout out Harps

Title Fight

it was a close fought battle for who could get on this list, but title fight are a band I’ve had on repeat the most recently so, alas.

I do really like them, promise.

1.) 27 – Shed

2.) Lefty – Floral Green

3.) Secret Society – Floral Green

4.) Coxton Yard – Shed

5.) Numb, But I Still Feel It – Floral Green

Odd that both the starting songs of Shed and Floral Green made it, but (as well as them being bangers) as the start of the album they have some crazy aura kicking off the albums. Like I know for the next 30-odd minutes I’m listening to one of the greatest Albums I my opinion.

Maybe That Should Be Next? reckon we got doolittle, Analphabetapolothology, Autobahn and Okurimono

Why I like each Front Bottoms song in 2025 (PART ONE)

I first heard The Front Bottoms in 2021. They were adjacent to the facade of post-COVID indie music somehow, likely algorithmically, despite dating back to 2011.

I fucking hated them.

How could people listen to this? Shitty four chord country riffs with the most annihilating voice whining over it. I tried to enjoy it, but I seriously couldn’t. I was 14, loved Dream SMP and so Lovejoy were my jam.

It’s 2025, Lovejoy have derailed into darkness, I’m in a band that has covered 2 TFB songs and they’re my favourite band of all time.

1. Flashlight

She said most the people we graduated with are now homeless which leaves them in mad shady situations with mad shady people, if not everyday, then on an every other day basis.

This was not my first song to start bumping, but first on the list as it is first on the debut. As an initial Talon of the Hawk fan, it took a lot of playing the self-titled to start really getting it. The guitar line is so chilling, melancholy and topped with a lyric stream that brands itself as one big SIGH.

2. Maps

There is a map in my room on the wall of my room and I got big, big plans

My favourite feature of this song is the string lines and the bouncy drums, on top as well as the foreboding chorus.

3. Looking like you just woke up

To be perfectly honest, I don’t LOVE this one. It makes me feel strange and I’m not sure why. However, I don’t skip any of these songs, and I do really like the mad flanged drums before the chorus kicks in. (Those with trained ears will hear a similar element before the chorus of Previous Business)

4. Mountain

I bought fireworks, a big bag in Pennsylvania. I’m gonna light em up when I get home to Jersey.

This one feels like a big road trip. Even though the song begins slow and deflating, the chorus never fails to give me chills.

5. Rhode Island

I wonder how that bike trip’s going. I wonder if the government knows he’s hiding

Another kind of filler song for me, that somehow I still cherish. I like how the chorus melody is a homage to The Beers.

6. The Beers

mee-moo-mee-moo-mee-moo-mee-moo

THERE’S BEER. IN COFFEE MUGS

Oh man, what the fuck else can I say about this song. It’s the best on the album. How can a honky tonky plod of a riff be this self-deprecating? Even before Brian starts singing I freeze in my tracks.

7. Father

I have this dream where I am hitting my dad with a baseball bat and he is screaming and crying for help.

And maybe halfway through it has more to do with me killing him then it ever did protecting myself.

This one has me concerned: the first few lines are very clear and obvious, but then it glides into such a cryptic flow:

Cause you were highschool, but I was just more like real life

Yeah you were ok, ok as a girlfriend, girlfriend

But I was just more like his wife.

What the hell is he saying here? That his mum is more of a girlfriend to his dad and himself is more of a wife? Anyway, a song that makes me ask questions is still a song to be liked.

8. Swimming pool

There’s comfort at the bottom of a swimming pool

Shit… I love this song. It has such a journey of verses filled with hope.

9. The Boredom is the Reason I Started Swimming. It’s Also the Reason I Started Sinking

Again, a strange but rewarding song. Any TFB song with a xylophone and shouting choir is one to be adored, but this one is most enjoyed with the synth line that follows

You’re part of a program.

10. Bathtub

After 9 tracks of The Front Bottoms, I think all I can appreciate about this one is the cleverly placed words. Not even clever in an artsy way, just generally good lyrics, balanced conversationally and melodically.

I am washing my hair with soap. I am sitting down in the shower.

It is this dirty type of clean that leaves me trapped in here for hours.

11. Legit tattoo gun

My excuse for liking this song is not actually in Brian’s singing or lyricism, but the sheer power of the epic synthesisers. They match the song so well and are with you every step of the way. Every album deserves a synth epic, and this is the synth epic of the album. My favourite lyric however:

…and we were getting ha-ha-ha-ha-ha-ha…. high….

12. Hooped earrings

Like most TFB songs (backed up by my 3 year disliking of them), they take some getting used to. This one is clearly uncomfortable (excuse the reference) due to skits and segments of sobbing, but overall the energy perfectly wraps up the album. I soon realised that it’s also about following a friend coming out to their mum, cutting their hair and all of the anguish in between.

Once you really dive into The Front Bottoms and develop some level of emotional maturity, it’s hard to hate them. They speak for all the angst across the land.

I will cover Talon of the Hawk in my next post, goodbye for now!

tellyeater’s 3rd headliner ANNOUNCED

Where did you go?
Doesn’t matter. We’re back in the basement at Sidney for the 16th December with a stupidly good lineup..

Feel the noise from Leeds’ own Imaginary Husband, and catch the very first glimpse of Muraki.

QUICK! Get your tickets now, before the ticket crypto Blockchain collapses, or worse – they sell out.
More on this later… bye for now x